Uncategorized — February 7, 2014 at 10:42 pm

Dave Holland



Dave Holland (born October 1, 1946) is an English jazz double bassist, composer and bandleader who has been performing and recording for five decades. He has lived in the United States for over 40 years.

His work ranges from pieces for solo performance to big band. Holland runs his own independent record label, Dare2, which he launched in 2005. He has explained his musical philosophy by quoting fellow jazz artist Sam Rivers: “Sam said, ‘Don’t leave anything out – play all of it.'”

Holland has played with some of the greatest names in jazz, and has participated in several classic recording sessions.



Born in Wolverhampton, England, Holland taught himself how to play stringed instruments, beginning at four on the ukulele, then graduating to guitar and later bass guitar. He quit school at the age of 15 to pursue his profession in a top 40 band, but soon gravitated to jazz. After seeing an issue of Down Beat whereRay Brown had won the critics’ poll for best bass player, Holland went to a record store, and bought a couple of LPs featuring Brown backing pianist Oscar Peterson. He also bought two Leroy Vinnegar albums (Leroy Walks! and Leroy Walks Again) because the bassist was posed with his instrument on the cover. Within a week, Holland traded in his bass guitar for an acoustic bass and began practicing with the records. In addition to Brown and Vinnegar, Holland was drawn to the bassists Charles Mingus and Jimmy Garrison.

After moving to London in 1964, Holland played acoustic bass in small venues and studied with James Edward Merrett, principal bassist of the Philharmonia Orchestra and, later, the BBC Symphony Orchestra. Merrett trained him to sight read and then recommended he apply to the Guildhall School of Music and Drama. Holland received a full-time scholarship for the three-year program. At 20, Holland was keeping a busy schedule in school, studios and Ronnie Scott’s Jazz Club, London’s premier jazz club, where he often played in bands that supported such touring American jazz saxophonists as Coleman Hawkins, Ben Webster and Joe Henderson. He also linked up with other British jazz musicians, including guitarist John McLaughlin, saxophonist Evan Parker, reedsman John Surman, South Africa-born London-based pianist Chris McGregor, and drummer John Stevens, and performed on the Spontaneous Music Ensemble’s 1968 album Karyobin. He also began a working relationship with Canada-born, England-based trumpeter Kenny Wheeler that continues today.

With Miles Davis

In 1968, Miles Davis and Philly Joe Jones heard him at Ronnie Scott’s Jazz Club, playing in a combo that opened for the Bill Evans Trio. Jones told Holland that Davis wanted him to join his band (replacing Ron Carter). Davis left the UK before Holland could contact him directly, and two weeks later Holland was given three days’ notice to fly to New York for an engagement at Count Basie’s nightclub. He arrived the night before, staying with Jack DeJohnette, a previous acquaintance. The following day Herbie Hancock took him to the club, and his two years with Davis began. This was also Hancock’s last gig as Davis’s pianist, as he left afterwards for a honeymoon in Brazil and was replaced by Chick Corea when he could not return for an engagement due to illness. Holland’s first recordings with Davis were in September 1968, and he appears on half of the album Filles de Kilimanjaro (with Davis, Corea, Wayne Shorter and Tony Williams).

Holland was a member of Davis’s rhythm section through the summer of 1970; he appears on the albums In a Silent Way and Bitches’ Brew. All three of his studio recordings with Davis were important in the evolution of jazz fusion.[citation needed] In the first year of his tenure with Davis, Holland played primarily upright bass. By the end of 1969, he played electric bass guitar (often treated with wah-wah pedal and other electronic effects) with greater frequency as Davis’s music became increasingly electronic, amp-based and funky.

Holland was also a member of Davis’s working group during this time, unlike many of the musicians who appeared only on the trumpeter’s studio recordings. The so-called “lost quintet” of Davis, Shorter, Corea, Holland and DeJohnette was active in 1969 but never made any studio recordings as a quintet. A 1970 live recording of this group plus percussionist Airto Moreira, Live at the Fillmore East, March 7, 1970: It’s About That Time, was issued in 2001. Steve Grossman replaced Shorter in early 1970; Keith Jarrett joined the group as a second keyboardist thereafter, and Gary Bartz replaced Grossman during the summer of 1970. By the end of the summer, rhythm and blues bass guitarist Michael Henderson had replaced Holland.

Post-Davis and the 1970s

After leaving Davis’s group, Holland briefly joined the avant-garde jazz group Circle, with Corea, Barry Altschul and reed player Anthony Braxton. This started a decades-long association with the ECMrecord label. After recording a few albums, Circle disbanded when Corea departed. 1972 saw the recording of Conference of the Birds, with Rivers, Altschul and Braxton – Holland’s first recording as a leader, and the beginning of a long musical relationship with Rivers. The title of the album is taken from that of a 4,500-line epic poem by Persian Sufist writer, Farid al-Din Attar.

Holland worked as a leader and as a sideman with many other jazz artists in the 1970s. Holland recorded several important albums with Anthony Braxton between 1972 and 1976 – including New York, Fall 1974 (1974) and Five Pieces (1975) – that were released on Arista Records.[2] Holland also recorded duo sessions with saxophonist Sam Rivers and fellow bassist Barre Phillips, and the solo bass albumEmerald Tears. Also in the 1970s he appeared with performers including Stan Getz and the Gateway Trio with John Abercrombie and DeJohnette. The Gateway trio released two influential modern jazz albums in 1975 and 1977, and reformed in 1994 for a recording session which yielded another two albums. As a sideman, Holland appeared on rock and pop recordings as well, working with singer Bonnie Raitt on her 1972 album Give It Up.

The 1980s

Holland formed his first working quintet in 1983, and over the next four years released Jumpin’ InSeeds of Time, and The Razor’s Edge, featuring alto saxophonist Steve Coleman, trumpeter Wheeler and trombonist Julian Priester. Subsequently, he formed the Dave Holland Trio (with Coleman and DeJohnette) for the 1988 album Triplicate, and teamed with Coleman, electric guitarist Kevin Eubanks and drummer Marvin “Smitty” Smith for Extensions. He also recorded Life Cycle, an album of compositions played on solo cello.

The bassist also continued to collaborate with his peers, often connecting with figures from the previous generation of jazz icons. In 1989, Holland teamed with drummer Billy Higgins and pianist Hank Jones to record The Oracle, and joined drummer Roy Haynes and guitarist Pat Metheny in 1989 to record Question and Answer.

The 1990s and 2000s

During the 1990s, Holland renewed an affiliation, begun in the 1970s, with Joe Henderson, joining the tenor saxophonist on So Near (So Far), a tribute to Miles Davis, Porgy & Bess, and Joe Henderson Big Band. Holland also reunited with vocalist Betty Carter, touring and recording the live album Feed the Fire (1993). Fellow Davis alumnus Herbie Hancock invited Holland to tour with him in 1992, subsequently recording The New Standard. Holland joined Hancock’s band again in 1996. He was also part of the sessions for River: The Joni Letters, winner of the 2008 Grammy Award for Album of the Year.

As a leader, Holland formed his third quartet and released Dream of the Elders (1995), which introduced the vibraphonist Steve Nelson to his ensembles. Holland also formed his current[when?] quintet, which includes tenor saxophonist Chris Potter, trombonist Robin Eubanks and, a more recent addition, drummer Nate Smith. Their recordings to date[when?] are Points of ViewNot for NothinPrime DirectiveExtended Play: Live at Birdland and Critical Mass (2006). In addition to releasing four quintet albums on ECM, Holland debuted his Big Band, which released What Goes Around in 2002. The album won Holland his first Grammy as a leader, in the Best Large Jazz Ensemble Album category. The second Big Band recording, Overtime (2005), again won the Grammy in the Best Large Jazz Ensemble Album category; it was released on Holland’s Dare2 label, which he formed that year.

Holland’s work with the group won wide public recognition that year.[disambiguation needed] He won Down Beat’s Critics Poll for Musician of the Year, Big Band of the Year, and Acoustic Bassist of the Year (he also garnered top bassist in the 2006 poll). The Jazz Journalists’ Association also honored him as Musician and Acoustic Bassist of the Year. He was the recipient of the Miles Davis Award at theMontreal Jazz Festival. Also on Dare2 are: the sextet recording, Pass It On (2008); Pathways, the debut recording of Holland’s octet, released in 2010; and Hands, featuring flamenco guitarist Pepe Habichuela, also from 2010.

In 2009, Holland was a co-founder of an all-star group called The Overtone Quartet. The group consisted of Holland on bass, Chris Potter on tenor saxophone, Jason Moran on piano, and Eric Harland on drums. The group toured extensively throughout the United States and Europe.

Off the bandstand, Holland has received honorary doctorates from the New England Conservatory, Boston, where he held a full-time teaching position in 1987–88 and where he has been visiting artist in residence since 2005; Berklee College of Music (Boston); and the Birmingham Conservatoire, in England. He was also named Fellow of the Guildhall School of Music and Drama (London). From 1982 to 1989, Holland served as the artistic director of the Banff Summer Jazz Workshop through the Banff School of Fine Arts in Alberta, Canada. In addition, he has taught workshops and master classes around the world at universities and music schools and is President of the UK-based National Youth Jazz Collective.

Holland currently resides in upstate New York.


As leader

  • 1972 – Conference of the Birds – ECM
  • 1977 – Emerald Tears (double bass solo) – ECM
  • 1982 – Life Cycle (cello solo) – ECM
  • 1983 – Jumpin’ In – ECM
  • 1984 – Seeds of Time – ECM
  • 1987 – The Razor’s Edge – ECM
  • 1988 – Triplicate – ECM
  • 1990 – Extensions – ECM
  • 1993 – Ones All (solo) – Intuition
  • 1995 – Dream of the Elders – ECM
  • 1998 – Points of View – ECM
  • 1999 – Prime Directive – ECM
  • 2001 – Not for Nothin’ – ECM
  • 2002 – What Goes Around (with Big Band) – ECM
  • 2003 – Extended Play: Live at Birdland – ECM
  • 2005 – Overtime – Dare2
  • 2006 – Critical Mass – Dare2
  • 2008 – Pass It On – Dare2
  • 2010 – Pathways – Dare2
  • 2013 – Prism – Dare2


  • Rarum, Vol. 10: Selected Recordings (ECM, 2004)

As co-leader

  • with John McLaughlin, John Surman, Stu Martin and Karl Berger – Where Fortune Smiles (Dawn, 1971)
  • with Chick Corea and Barry Altschul – A.R.C. (ECM, 1971)
  • with Derek Bailey – Improvisations for Cello and Guitar (ECM, 1971)
  • with Barre Phillips – Music from Two Basses (ECM, 1971)
  • Dave Holland / Sam Rivers (Improvising Artists, 1976)
  • Sam Rivers / Dave Holland Vol. 2 (Improvising Artists, 1976)
  • Norman Blake/Tut Taylor/Sam Bush/Butch Robins/Vassar Clements/David Holland/Jethro Burns (HDS, 1975)
  • with Karl Berger – All Kinds of Time (Sackville, 1976)
  • with Evan Parker, Paul Rutherford and Paul Lovens – The Ericle of Dolphi (Recorded 1976 and 1986, Po Torch, 1989)
  • Vassar Clements, John Hartford, Dave Holland (Rounder, 1988)
  • with Hank Jones and Billy Higgins – The Oracle (EmArcy, 1990)
  • with Steve Coleman – Phase Space (Rebel-X/DIW, 1991)
  • with Gordon Beck, Jack DeJohnette and Didier Lockwood – For Evans Sake (JMS, 1992)
  • with Mino Cinelu and Kevin Eubanks – World Trio (Intuition, 1995)
  • ScoLoHoFo (with John Scofield, Joe Lovano and Al Foster) – Oh! (Blue Note, 2003)
  • with Gonzalo Rubalcaba, Chris Potter and Eric Harland – The Monterey Quartet: Live at the 2007 Monterey Festival (Monterey Jazz Festival, 2009)
  • with Pepe Habichuela – Hands (Dare2, 2010)
  • with Sam Rivers and Barry Altschul – Reunion: Live in New York (Pi, 2012)

With Gateway

  • Gateway (ECM, 1975)
  • Gateway 2 (ECM, 1977)
  • Homecoming (ECM, 1994)
  • In the Moment (ECM, 1994)

As sideman

With Claudia Acuna

  • Rhythm of Life (Verve, 2002)

With George Adams

  • Sound Suggestions (ECM, 1979)

With Geri Allen (and Jack DeJohnette)

  • The Life of a Song (Telarc, 2004)

With Karl Berger

  • Tune In (Milestone, 1969)
  • Transit (Black Saint, 1986)
  • Crystal Fire (Enja, 1992)
  • Conversations (In+Out, 1994)

With Anouar Brahem

  • Thimar (ECM, 1997)

With Anthony Braxton

  • Town Hall 1972 (Trio, 1972)
  • New York, Fall 1974 (Arista, 1974)
  • Five Pieces 1975 (Arista, 1975)
  • Creative Orchestra Music 1976 (Arista, 1976)
  • Dortmund (Quartet) 1976 (hatART, released 1991)
  • The Montreux/Berlin Concerts (Arista, 1975–76)

With Michael Brecker

  • Tales from the Hudson (Impulse!, 1996)

With Gary Burton

  • Like Minds (Concord, 1998)

With Betty Carter

  • Feed the Fire (Verve, 1993)

With Steve Coleman

  • Rhythm People (Novus/RCA, 1990)
  • Black Science (Novus/BMG, 1991)
  • Rhythm in Mind (Novus/BMG, 1991)

With Chick Corea

  • Is (Groove Merchant, 1969)
  • Sundance (Groove Merchant, 1969)
  • The Song of Singing (Blue Note, 1970)
With Circle

  • Circling In (1970)
  • Circulus (1970)
  • Circle 1: Live in Germany Concert (1970)
  • Paris Concert (1971)
  • Circle 2: Gathering (1971)

With Miles Davis

  • Filles de Kilimanjaro (Columbia, 1968)
  • In a Silent Way (Columbia, 1969)
  • 1969 Miles – Festival de Juan Pins (1969)
  • Bitches Brew (Columbia, 1969)
  • Live at the Fillmore East, March 7, 1970: It’s About That Time (1970)
  • Miles Davis at Fillmore: Live at the Fillmore East (1970)
  • Black Beauty: Live at the Fillmore West (Columbia, 1970)
  • Live-Evil (Columbia, 1970)
  • Big Fun (Columbia, 1969–1972)

With Bill Frisell

  • With Dave Holland and Elvin Jones (Nonesuch, 2001)

With Laszlo Gardony

  • The Legend of Tsumi (Antilles, 1989)

With Herbie Hancock

  • The New Standard (Verve, 1996)
  • River: The Joni Letters (Verve, 2006)

With Billy Hart

  • Oshumare (Gramavision, 1985)

With John Hartford

  • Morning Bugle (Warner Bros., 1972)

With Joe Henderson

  • Black Is the Color (Milestone, 1972)
  • Multiple (Milestone, 1973)
  • So Near, So Far (Musings for Miles) (Verve, 1993)
  • Porgy & Bess (Verve, 1997)

With Eric Kloss

  • To Hear Is to See! (Prestige, 1969)
  • Consciousness! (Prestige, 1970)
  • One, Two, Free (Muse, 1972)

With Lee Konitz

  • Satori (Milestone, 1974)

With Joe Lovano

  • Trio Fascination: Edition One (Blue Note, 1997)

With Pat Metheny (and Roy Haynes)

  • Question and Answer (Geffen, 1990)

With Sam Rivers

  • Sizzle (Impulse!, 1975)
  • Waves (Tomato, 1978)
  • Contrasts (ECM, 1981)

With Tomasz Stańko

  • Balladyna (ECM, 1976)

With Collin Walcott

  • Cloud Dance (ECM, 1975)

With Richard Teitelbaum

  • Muun Music Universe, Vol. 1: The Peace Church Concerts (CMC/India Navigation, 1974)

With Kenny Wheeler

  • Gnu High (ECM, 1975)
  • Deer Wan (ECM, 1977)
  • Double, Double You (ECM, 1984)
  • Flutter By, Butterfly (Soul Note, 1988)
  • Music for Large & Small Ensembles (ECM, 1990)
  • The Widow in the Window (ECM, 1990)
  • Angel Song (ECM, 1997)
  • What Now? (CAM Jazz, 2005)


Concert films

  • 1992 – Renaud Le Van Kim: Miles Davis and Friends (Bravo)
  • 2000 – DeJohnette, Hancock, Holland and Metheny – Live in Concert
  • 2005 – Dave Holland Quintet – Live in Freiburg
  • 2008 – Herbie Hancock & The New Standard Allstars in Japan (Jazz Door)
  • 2009 – Dave Holland Quintet: Vortex
  • 2009 – Dave Holland Quintet – Live from the Zelt-Musik-Festival, Freiburg 1986

Featured in documentaries

  • 2001 – Mike Dibb: The Miles Davis Story (Channel 4)
  • 2004 – Murray Lerner: Miles Electric – A Different Kind of Blue (Eagle Rock) – about the Isle of Wight Festival 1970

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